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This book is designed to provide a guide for art historians, conservators and manuscript scholars to understand and support the increasingly popular cross-disciplinary research efforts focused on non-invasive scientific analyses of illuminated manuscripts. The results achieved by the research of the pioneering MINIARE research project based at the Fitzwilliam Museum in Cambridge led to the ground-breaking and acclaimed 2016 exhibition "COLOUR: The Art and Science of Illuminated Manuscripts." This was followed by an international Conference, in which art historians, paper and book conservators, and cultural heritage scientists were brought together to share new recent research not only on manuscripts but also on painting in other media. The Conference proceedings were published in the first two volumes of the HMMIMA series (2017-2018). The present publication includes 6 Essays by way of introducing and explaining the major topics being investigated, including the range of inks, pigments and paint binders used by illuminators; parchment-making; pigment recipes; and model books. The many analytical instruments and techniques that are used to investigate manuscripts are also discussed. Then follow 58 Case Studies of manuscripts from as early as the year 700 up to c.1600. All these are fully illustrated in colour and in great detail, and should act as examples to inform scholars in libraries, museums and other cultural institutions of the benefits of adding scientific tools to the range of methods used to investigate manuscripts. - Brepols

Book history --- Painting --- manuscripts [documents] --- illuminations [painting] --- technical art history --- Enluminure --- Manuscrits à peintures --- Pigments --- 091.31 --- 091.31:7.04 --- <035> --- <035> Grote handboeken. Compendia --- Grote handboeken. Compendia --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091.31 Verluchte handschriften --- Verluchte handschriften --- Illumination of books and manuscripts, Medieval. --- illuminations [paintings] --- kunst en wetenschap --- Illumination of books and manuscripts --- History. --- Technique.

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History of civilization --- alchemy --- illustrations [layout features] --- Iconography --- Alchemy --- Alchimie --- 091:133 --- 091.31:7.04 --- Science, Medieval --- -Metals, Transmutation of --- Philosophers' egg --- Philosophers' stone --- Stone, Philosophers' --- Transmutation of metals --- Chemistry --- Occultism --- Medieval science --- Handschriften i.v.m. occulte wetenschap --- Verluchte handschriften: iconografie --- History --- -091:133 --- -Handschriften i.v.m. occulte wetenschap --- 091.31:7.04 Verluchte handschriften: iconografie --- 091:133 Handschriften i.v.m. occulte wetenschap --- -History of civilization --- -Medieval science --- Metals, Transmutation of --- -Alchemy

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Le musée possède environ 600 manuscrits, une collection de grande valeur rassemblée du XVIe siècle au XIXe siècle par Christophe Plantin et ses successeurs, les Moretus. Elle regroupe essentiellement des manuscrits bibliques du Moyen Age, des écrits rarissimes d'auteurs classiques et des manuscrits confiés à la maison Plantin en vue d'être édités.

Painting --- Book history --- Manuscripts. Epigraphy. Paleography --- Plantin, Christopher --- Moretus [Family] --- Plantin-Moretus Museum [Antwerp] --- Manuscripts --- Illumination of books and manuscripts --- Manuscrits --- Enluminure --- Museum Plantin-Moretus --- Exhibitions. --- Plantijnsche Drukkerij --- 091.31:7.04 --- 091.31 --- 091 <493 ANTWERPEN> --- Verluchte handschriften: iconografie --- Verluchte handschriften --- Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- 091 <493 ANTWERPEN> Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- 091.31 Verluchte handschriften --- 091.31:7.04 Verluchte handschriften: iconografie --- illuminated manuscripts --- manuscripts [documents] --- Manuscripts - Belgium - Antwerp

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"Presents examples of illuminated manuscripts from the Renaissance in which artists depict nature in their art to intensify the spiritual experience of the viewer. Additionally, the portrayal of landscape in panel paintings, drawings, and decorative arts from the fifteenth through the seventeenth centuries is discussed"--Provided by publisher.

Illumination of books and manuscripts, Renaissance --- Nature in art --- Landscapes in art --- Nature dans l'art --- Paysages dans l'art --- Exhibitions. --- Expositions --- Painting --- illuminated manuscripts --- landscapes [representations] --- Manuscripts. Epigraphy. Paleography --- anno 1400-1499 --- anno 1500-1599 --- 091.31:7.04 --- 7.043 --- Renaissance illumination of books and manuscripts --- 7.043 Iconografie: flora; plantenwereld; bomen; bloemen; vruchten --- Iconografie: flora; plantenwereld; bomen; bloemen; vruchten --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Exhibitions

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History of civilization --- Iconography --- anno 500-1499 --- Beeld (Theologie) --- Image (Theology) --- Image (Théologie) --- Christian art and symbolism --- 091.31:7.04 --- Image (Theology) in art --- Christan art and symbolism --- -Christian art and symbolism --- -Image (Theology) --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Verluchte handschriften: iconografie --- Religious aspects --- Christianity --- 091.31:7.04 Verluchte handschriften: iconografie --- Medieval, 500-1500 --- Illustrations, images, etc. --- Art et symbolisme chrétiens --- Middle Ages, 500-1500 --- Christian art and symbolism - Medieval, 500-1500 --- Image (théologie) --- Art chrétien --- ICONOGRAPHIE --- Moyen âge --- 6E-15E SIECLES